Skip to main content

Club vs Mixtape deejay


There are different types of deejays. Some dedicate the mixing for the club, and some to mixtape recording. Then there are also scratch dj's, radio and wedding dj's, but I'll focus this article on the club vs mixtape dj this time.

In a club you have the DJ working a fullnight in a lowlight enviroment, High volumes, perhaps also people interacting with you. This takes a lot of effort, djing involves lots of things simultaniously. You need to know mixing really well to fluently blend records in a club. Specially if its for a dancefloor. Then you have the social media posters, selfies, mobilephones constantly taking photos.
If there is a fluent mix going on, harmonically to the what the dj intend the dancefloor to be. This is positive and works for promoting the dj. But if the dancefloor is almost empty, there are any technical problems. This can give bad promotion.

Many things can be problematic as  a club DJ.
But there are also advanteges.

Club DJ
Good
- nonstop mixing stamina
- more exposure as a DJ
- wage

Bad
- Loud dancefloors
- Lots of lowlight conditions
- mixing nonstop
- touring to different locations/clubs

Mixtape DJ. Here you have a controlled enviroment free from loud pa systems, people constantly using their mobile phones to stay updated on the dancefloor. All cool, or wait a minute perhaps not so much easier than the club DJ.

As a mixtape DJ you quickly encounter copyright issues.
You have to have permission for the songs. you have to have new music for each recording session.
perhaps also a more precise playlist, since people listening to the mixtape can hear the mix better than in a club.  People listening to mixtape tend to also be sober and judges the mix in a different way.
Good things are that the mix can be heard by more than the 50 people on the dancefloor. You have time to reherse a smaller set with many things like precise drops before the mix comes in, perhaps a voiceover in perfect quality. Soundquality tend to be much better.

Mixtape DJ
Good
-Special edits
-Good Soundquality
-more than the people on the dancefloor can hear it
-reherse the set to have a supertight mix

Bad
-Copyright
-New music for each mixtape recording
-More for promotion

Popular posts from this blog

Odd records - worth collecting?

Some records are intresting for a collector because of their uniqueness. There are still alot of cratediggers out there, seeing how many recordshops with 2nd hand records there are. I used to dig in the crates for records for about 20 years. Read my article on restarting  my record collection made me a better dj. Found a box full of records that I forgot about there were sitting in storage. These were odd records, Lp's that Ive collected beacause they had vocals and effects on them. Because of their uniqueness Lets look closer: Sci-Fi - soundeffects . A record filled with EFX blips and space-ish sounds. Released on BBC records in 1981. Not your avarage synthrecord, but for the scifi nerd. It says on the back that its intended for radio and tv use. Could perhaps be for use for a dj so the level of  uniqueness is 4/5. The age of television . This is something more listenable. It contains narration of the story of television. And recordings of historic tv broadcast such as the m...

The Roland tr909

The Roland tr909. The classic drumcomputer that gave housemusic its sound. The distinct kick, cymbals and snares are heard on the majority of records in housemusic. From classic, to the latest future house releases. The tr909. A updated version of the tr808 analog drummer from 81. But this had a hybrid soundengine that also featured samples in the cymbalsection. They weren't soldout in the stores, instead they were often found below their standard price elsewhere. Dj's and producers started buying them for cheap, and with more records it was heard on the more popular it became. Electronic drumcomputers were common in the 80's, almost every genre had synthetic drums. The 808 was marketed as the future drummachine, the computer controlled sequencer with analog sound synthesis. So when the 909 came along the musicians quickly adopted it in their future sound palette. Its accent function boosts certain sounds in the steps from the sequencer wile the unaccented steps rema...

DJ Rasoul 1998 (Large)

DJ Rasoul 1998 (Large) Super record from the later end of the 90's. This EP has 3 songs, Let the music, Slingshot and Francisco Nights. Side A with "Let the music" has a dark bassline and acoustic piano, togheter with strings and the classic house rythm. Dub echos and analogue synth sounds. The song isnt just a 4-bar loop. It has lots of variations. In the middle of the song a soul vocal is heard. Also percussive elements. The later end of the song seams happier,  like the minor chords are swapped with major scale instead. What I dont like about this song is the tb303 "like"-sounds towards the end. It gives the impression of a comedy sound. On side B on "Slingshot" the quality is high on the production. With groovy basslines and arpeggio-like elements. The rythm is more disco on this song. 1/3-into the song the loopy groove evolves with a acoustic piano. Then 2/3- the song goes back to the loopy status again. I like this song, its groovy and has catchy...