Skip to main content

Cassette reflections


Cassettes started to make its way back again after the resurgence of vinyl records in 2017. Music genres like hip hop, punk and dance Music, were a great part of making it popular amongs Music listeners again. The format was more or less gone and absolete before that. In postmodern Music culture there are allways retrotrends coming back every now and then. That ment a format of the past were all of sudden supertrendy and its characteristics were in spotlight to how music should sound. Music is very much focused on whats right. That ment also looking at a format that was so wrong that it became "right". The only stock left from The BASF Company that manufactured magnetic tape that remained in the 2010's were embraced by small indiependent companys to rescue the format for new music listeners.

A format isnt all about its sonic quality, but also about its culture around it. The audio cassettes were a great part of hip-hop Culture in the 80's. The mixtape movement created and expanded the amount of listeners by passing the cassettes to friends. Cassettes were often duplicated  multiple times from a single cassette. So it werent all about audio quality.

Compact cassettes inherits the reel to reel magnetic tape, but in smaller scale. Reel to reel tape has a higher frequency response and is used in studio recordings for its special sounding quality. That means that the quality of the "tapesound" is inhereted on the smaller compact cassette.
As a format its something the listener can hold in his hand. Albumcovers from favorite artists, grabs the listeners attention so much better than a digital album. Music is a abstract thing. In reallife we all need see it in person to understand it better.

When the format has made its way back to the spotlight, the medium is here as long as the listeners are intressted in having it here. When they stop caring for the format it can mean its gone forever. This is beacause of high developing and manufacturing costs. The playback devices, The parts, motors and belts. Have a common manufacturer that provide the playback engine to all of the smaller consumer cassettedecks and Walkmans.

Popular posts from this blog

Odd records - worth collecting?

Some records are intresting for a collector because of their uniqueness. There are still alot of cratediggers out there, seeing how many recordshops with 2nd hand records there are. I used to dig in the crates for records for about 20 years. Read my article on restarting  my record collection made me a better dj. Found a box full of records that I forgot about there were sitting in storage. These were odd records, Lp's that Ive collected beacause they had vocals and effects on them. Because of their uniqueness Lets look closer: Sci-Fi - soundeffects . A record filled with EFX blips and space-ish sounds. Released on BBC records in 1981. Not your avarage synthrecord, but for the scifi nerd. It says on the back that its intended for radio and tv use. Could perhaps be for use for a dj so the level of  uniqueness is 4/5. The age of television . This is something more listenable. It contains narration of the story of television. And recordings of historic tv broadcast such as the m...

The Roland tr909

The Roland tr909. The classic drumcomputer that gave housemusic its sound. The distinct kick, cymbals and snares are heard on the majority of records in housemusic. From classic, to the latest future house releases. The tr909. A updated version of the tr808 analog drummer from 81. But this had a hybrid soundengine that also featured samples in the cymbalsection. They weren't soldout in the stores, instead they were often found below their standard price elsewhere. Dj's and producers started buying them for cheap, and with more records it was heard on the more popular it became. Electronic drumcomputers were common in the 80's, almost every genre had synthetic drums. The 808 was marketed as the future drummachine, the computer controlled sequencer with analog sound synthesis. So when the 909 came along the musicians quickly adopted it in their future sound palette. Its accent function boosts certain sounds in the steps from the sequencer wile the unaccented steps rema...

DJ Rasoul 1998 (Large)

DJ Rasoul 1998 (Large) Super record from the later end of the 90's. This EP has 3 songs, Let the music, Slingshot and Francisco Nights. Side A with "Let the music" has a dark bassline and acoustic piano, togheter with strings and the classic house rythm. Dub echos and analogue synth sounds. The song isnt just a 4-bar loop. It has lots of variations. In the middle of the song a soul vocal is heard. Also percussive elements. The later end of the song seams happier,  like the minor chords are swapped with major scale instead. What I dont like about this song is the tb303 "like"-sounds towards the end. It gives the impression of a comedy sound. On side B on "Slingshot" the quality is high on the production. With groovy basslines and arpeggio-like elements. The rythm is more disco on this song. 1/3-into the song the loopy groove evolves with a acoustic piano. Then 2/3- the song goes back to the loopy status again. I like this song, its groovy and has catchy...